Friday, April 25, 2008

Exhibition of British Artists in Greenwich, CT

Exhibition of British Artists in Greenwich, CT
Eight finalists for the coveted Lynn Painter-Stainers Prize
will be exhibiting at the Therese Saint Clair Gallery in
downtown Greenwich from April 30th through May 16th. Now
in its third year, the Prize is designed to encourage
creative representational painting and promote the skill of
draftsmanship by British artists. The Saint Clair gallery
will exhibit over 30 works of orginal art in watercolor,
oil, acrylic and egg tempera.

Last year's prize attracted nearly 800 entries. Artists
selected to exhibit at Saint Clair were chose by Parker
Harris and Arthur and Mary, long-time Greenwich residents
who were largely responsible for introducing a number of
prominent British artists to the community. This is the
first time in more than five years that a diversified group
of British artists have shown in Greenwich.

The Worshipful Company of Painter-Stainers was formed in
1502 through the meerger of The Stainers Company (earliest
reference is in 1268) and the Painters (established in
1283. Painter-Stainers received a Charter from Queen
Elizabeth I in 1581. Painter-Stainers is actively engaged
in supporting the art and craft of painting. The Lynn
Foundation is a charity devoted to children, the disabled,
music and the arts. Together they awarded prize money of
nearly $50,000 last year to artists selected by a
distinguished panel of judges.

The artists represented in this exhibit work in a variety
of media: watercolor, oil, acrylic and egg tempera. The
classic oil landscapes of Richard Price, stunning
watercolors of Paul Banning's Venice and Nick Johnson's
small acrylics of the English countryside reaffirm the rich
traditions of British artistic themes. In contrast,
Julian Bray, Susan Brown and Philip Tyler have submitted
acrylic and watercolor paintings with bold and colorful new
designs creating a dynamic ambience of considerable tension
and movement. Noreen Grant's attractive egg tempera
still life paintings and Paula Wilson's contemporary oil
paintings balance out this eclectic exhibition of British
art.

Because of its large public appeal, artists are limited to
one painting submission for the Lynn Painter-Stainers
Prize. The exhibit at Saint Clair contains anywhere from 2
to 6 paintings by each artists to more deeply explore their
body of work. The British artists represented in this
exhibit show great talent and originality.

The Saint Clair Gallery will be open to the public from
10:00 a.m. through 5:00 p.m. daily except Sunday.
Thérèse Saint Clair is located at 23 Lewis
Street in downtown Greenwich, CT. Call 203-6661-2927 for
directions or visit their website for more information.


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Samples of some of the artists paintings to be exhibited
may be found on the Therese Saint Clair website at
http://www.ThereseSaintClair.com . The exhibit is free to
the public.

How to Sing Higher Notes

How to Sing Higher Notes
Learning how to sing higher notes is very important, if you
want to sing like a pro. If you want to be able to sing
any song you want, it is important to increase your vocal
range (the range of notes you can comfortably sing), after
all. It is certainly possible for you to have trouble
singing low notes, but most people have the most trouble
when they try to sing higher notes.

You might not think it's possible, but anyone can learn how
to sing higher notes. It is not just an activity reserved
for superstars. All it will take you to learn how to sing
higher notes properly are time, patience and practice.

The first step to learning how to sing higher notes in the
proper way is to understand the different main registers of
the human voice.

The "chest voice" is the deepest register. It is also the
most comfortable one. Usually that is the register in
which most people talk.

The next vocal register is called the "head voice". It is
a much higher vocal register, so you might think that it is
the key to learning how to sing higher notes. However,
even though it is often the sound you hear at operas and in
classical performances, it is not the key.

The true solution to learning how to sing higher notes is
actually learning to use your "mixed voice". The "mixed
voice" register is between the other two registers. It is
a middle ground. If you sing using your "mixed voice",
rather than your "chest voice", you can learn how to sing
higher notes without pain. You can also avoid causing
permanent damage to your vocal chords. People who try to
sing high notes using their "chest voice" are prone to
developing nodules and cysts on their vocal chords. So,
not only will learning to sing in your "mixed voice" teach
you how to sing higher notes, but it will keep you
healthier.

You may have also heard of using a falsetto voice, which
isn't really a vocal register at all. If you sing in
falsetto, your vocal chords are not even going to fully
come together. The sound produced will come out extremely
light and airy. It will not have any depth or power to it.

So, in order to learn how to sing higher notes with ease,
you should begin by breaking your old singing habits.
Instead, practice singing up and down scales in your "mixed
voice", not in your "chest voice" or "head voice" or a
falsetto voice. It will take you some time and it may feel
strange to you when you first begin. However, in no time
at all you will learn how to sing higher notes easily and
comfortably.


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